Stainton, Lindsay und Christopher White:Drawing in England from Hilliard to Hogarth.
- Taschenbuch 1987, ISBN: 0714116297
[EAN: 9780714116297], Gebraucht, sehr guter Zustand, [SC: 4.0], [PU: British Museum Publ.], ZEICHNUNG; BILDENDE KUNST, 255 S.; sehr zahlr. Illustr.; 4°; kart. Gutes Ex. - Englisch. // INH… Mehr…
[EAN: 9780714116297], Gebraucht, sehr guter Zustand, [SC: 4.0], [PU: British Museum Publ.], ZEICHNUNG; BILDENDE KUNST, 255 S.; sehr zahlr. Illustr.; 4°; kart. Gutes Ex. - Englisch. // INHALT : Foreword -- Lenders to the Exhibition -- The Theory and Practice of Drawing in Early Stuart England Christopher White -- Drawing in Late Stuart England Lindsay Stainton -- The Catalogue -- Select Bibliography: works referred to in abbreviated form -- Index of Artists. // For much of the seventeenth century, English art was dominated by foreign-born draughtsmen - most notably Rubens, Van Dyck, Hollar, Lely and Kneller. Through their influence on native artists such as Inigo Jones and Francis Barlow, a distinctively English style was to emerge in the early years of the eighteenth century. This is the first major survey of drawing in seventeenth-century England, long overdue compared with the degree of attention given to Continental work of this period. Two hundred masterpieces by 72 artists are catalogued and discussed. A large number of these are from the unrivalled collection of the British Museum, but many important drawings are also included from other major collections, both public and private, in Britain and North America, among them the Ashmolean Museum, the Chatsworth Settlement and the Yale Center for British Art. Introductory essays by Lindsay Stainton and Christopher White examine the contribution of foreign-born artists working in England; the styles, techniques, methods and purposes of drawing at this time; the role of patronage, and the increasing status of the artist in seventeenth-century England. // With 240 illustrations, 80 in colour. // Samuel Cooper, Richard Gibson; Jan Griffier, John Greenhill; Willem Schellinks, T. Thrumpten; Peter Lely; Gerrit van Honthorst // u.v.a. ISBN 0714116297 Sprache: Deutsch Gewicht in Gramm: 1550, Books<
| | ZVAB.comFundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Germany [8335842] [Rating: 5 (von 5)] NOT NEW BOOK. Versandkosten: EUR 4.00 Details... |
(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
Stainton, Lindsay und Christopher White:Drawing in England from Hilliard to Hogarth.
- Taschenbuch 1987, ISBN: 0714116297
[EAN: 9780714116297], Gebraucht, sehr guter Zustand, [PU: British Museum Publ.], ZEICHNUNG; BILDENDE KUNST, 255 S.; sehr zahlr. Illustr.; 4°; kart. Gutes Ex. - Englisch. // INHALT : Forew… Mehr…
[EAN: 9780714116297], Gebraucht, sehr guter Zustand, [PU: British Museum Publ.], ZEICHNUNG; BILDENDE KUNST, 255 S.; sehr zahlr. Illustr.; 4°; kart. Gutes Ex. - Englisch. // INHALT : Foreword -- Lenders to the Exhibition -- The Theory and Practice of Drawing in Early Stuart England Christopher White -- Drawing in Late Stuart England Lindsay Stainton -- The Catalogue -- Select Bibliography: works referred to in abbreviated form -- Index of Artists. // For much of the seventeenth century, English art was dominated by foreign-born draughtsmen - most notably Rubens, Van Dyck, Hollar, Lely and Kneller. Through their influence on native artists such as Inigo Jones and Francis Barlow, a distinctively English style was to emerge in the early years of the eighteenth century. This is the first major survey of drawing in seventeenth-century England, long overdue compared with the degree of attention given to Continental work of this period. Two hundred masterpieces by 72 artists are catalogued and discussed. A large number of these are from the unrivalled collection of the British Museum, but many important drawings are also included from other major collections, both public and private, in Britain and North America, among them the Ashmolean Museum, the Chatsworth Settlement and the Yale Center for British Art. Introductory essays by Lindsay Stainton and Christopher White examine the contribution of foreign-born artists working in England; the styles, techniques, methods and purposes of drawing at this time; the role of patronage, and the increasing status of the artist in seventeenth-century England. // With 240 illustrations, 80 in colour. // Samuel Cooper, Richard Gibson; Jan Griffier, John Greenhill; Willem Schellinks, T. Thrumpten; Peter Lely; Gerrit van Honthorst // u.v.a. ISBN 0714116297 Sprache: Deutsch Gewicht in Gramm: 1550, Books<
| | AbeBooks.deFundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Germany [8335842] [Rating: 5 (von 5)] NOT NEW BOOK. Versandkosten: EUR 4.00 Details... |
(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
Stainton, Lindsay und Christopher White:Drawing in England from Hilliard to Hogarth.
- gebrauchtes Buch 1987, ISBN: 9780714116297
[PU: British Museum Publ.], 255 S.; sehr zahlr. Illustr.; 4°; kart.
Gutes Ex. - Englisch. // INHALT : Foreword -- Lenders to the Exhibition -- The Theory and Practice of Drawing in Early … Mehr…
[PU: British Museum Publ.], 255 S.; sehr zahlr. Illustr.; 4°; kart.
Gutes Ex. - Englisch. // INHALT : Foreword -- Lenders to the Exhibition -- The Theory and Practice of Drawing in Early Stuart England Christopher White -- Drawing in Late Stuart England Lindsay Stainton -- The Catalogue -- Select Bibliography: works referred to in abbreviated form -- Index of Artists. // For much of the seventeenth century, English art was dominated by foreign-born draughtsmen - most notably Rubens, Van Dyck, Hollar, Lely and Kneller. Through their influence on native artists such as Inigo Jones and Francis Barlow, a distinctively English style was to emerge in the early years of the eighteenth century. This is the first major survey of drawing in seventeenth-century England, long overdue compared with the degree of attention given to Continental work of this period. Two hundred masterpieces by 72 artists are catalogued and discussed. A large number of these are from the unrivalled collection of the British Museum, but many important drawings are also included from other major collections, both public and private, in Britain and North America, among them the Ashmolean Museum, the Chatsworth Settlement and the Yale Center for British Art. Introductory essays by Lindsay Stainton and Christopher White examine the contribution of foreign-born artists working in England; the styles, techniques, methods and purposes of drawing at this time; the role of patronage, and the increasing status of the artist in seventeenth-century England. // With 240 illustrations, 80 in colour. // Samuel Cooper, Richard Gibson; Jan Griffier, John Greenhill; Willem Schellinks, T. Thrumpten; Peter Lely; Gerrit van Honthorst // u.v.a. ISBN 0714116297, DE, [SC: 5.00], gebraucht; gut, gewerbliches Angebot, [GW: 1550g], Banküberweisung, Offene Rechnung, PayPal, Internationaler Versand<
| | booklooker.deFundus-Online GbR Borkert/ Schwarz/ Zerfaß Versandkosten:Versand nach Deutschland. (EUR 5.00) Details... |
(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
Stainton, Lindsay und Christopher White:Drawing in England from Hilliard to Hogarth.
- gebrauchtes Buch 1987, ISBN: 0714116297
British, Museum Publ, 255 S.; sehr zahlr. Illustr.; 4°; kart. Gutes Ex. - Englisch. // INHALT : Foreword -- Lenders to the Exhibition -- The Theory and Practice of Drawing in Early Stuart… Mehr…
British, Museum Publ, 255 S.; sehr zahlr. Illustr.; 4°; kart. Gutes Ex. - Englisch. // INHALT : Foreword -- Lenders to the Exhibition -- The Theory and Practice of Drawing in Early Stuart England Christopher White -- Drawing in Late Stuart England Lindsay Stainton -- The Catalogue -- Select Bibliography: works referred to in abbreviated form -- Index of Artists. // For much of the seventeenth century, English art was dominated by foreign-born draughtsmen - most notably Rubens, Van Dyck, Hollar, Lely and Kneller. Through their influence on native artists such as Inigo Jones and Francis Barlow, a distinctively English style was to emerge in the early years of the eighteenth century. This is the first major survey of drawing in seventeenth-century England, long overdue compared with the degree of attention given to Continental work of this period. Two hundred masterpieces by 72 artists are catalogued and discussed. A large number of these are from the unrivalled collection of the British Museum, but many important drawings are also included from other major collections, both public and private, in Britain and North America, among them the Ashmolean Museum, the Chatsworth Settlement and the Yale Center for British Art. Introductory essays by Lindsay Stainton and Christopher White examine the contribution of foreign-born artists working in England; the styles, techniques, methods and purposes of drawing at this time; the role of patronage, and the increasing status of the artist in seventeenth-century England. // With 240 illustrations, 80 in colour. // Samuel Cooper, Richard Gibson; Jan Griffier, John Greenhill; Willem Schellinks, T. Thrumpten; Peter Lely; Gerrit van Honthorst // u.v.a. ISBN 0714116297England [Zeichnung; Bildende Kunst] 1987, [PU: British Museum Publications]<
| | antiquariat.deFundus-Online GbR Versandkosten: EUR 4.00 Details... |
(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
BEISPIEL
White, Christopher:Drawing in England from Hilliard to Hogarth
- Taschenbuch ISBN: 9780714116297
Paperback. Very Good., 3
| | Biblio.co.ukWorld of Books Ltd Versandkosten: EUR 8.29 Details... |
(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.