The essays in this volume represent some of the best new thinking about the crucial relations between visual representation in film and human subjectivity. No amount of empirical research… Mehr…
The essays in this volume represent some of the best new thinking about the crucial relations between visual representation in film and human subjectivity. No amount of empirical research into the sociology of actual audiences will displace the desire to speculate about the effects of visual culture, and especially moving images, on viewing subjects. These notions of spectatorship, however hypothetical, become extremely compelling metaphors for the workings of vision within the institution of cinema. Viewing Positions examines the tradition of a centered, unitary, distanced, and objectifying spectator's gaze; investigates the period when film spectatorship as an idea began; and analyses gender- and sexuality-based challenges to the homogeneous classical theory of spectatorship. It makes available critical understandings of spectatorship that have, until now, largely eluded cinema studies. Media > Book, [PU: Rutgers University Press]<
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Rutgers University Press, 1995-01. Hardcover. New. New unused book with light shelf/handling/edge wear. NO dust jacket. Remainder mark on bottom edge of book. Fast shipping!, Rutgers University Press, 1995-01<
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(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
The essays in this volume represent some of the best new thinking about the crucial relations between visual representation in film and human subjectivity. No amount of empirical research… Mehr…
The essays in this volume represent some of the best new thinking about the crucial relations between visual representation in film and human subjectivity. No amount of empirical research into the sociology of actual audiences will displace the desire to speculate about the effects of visual culture, and especially moving images, on viewing subjects. These notions of spectatorship, however hypothetical, become extremely compelling metaphors for the workings of vision within the institution of cinema. Viewing Positions examines the tradition of a centered, unitary, distanced, and objectifying spectator's gaze; investigates the period when film spectatorship as an idea began; and analyses gender- and sexuality-based challenges to the homogeneous classical theory of spectatorship. It makes available critical understandings of spectatorship that have, until now, largely eluded cinema studies. Media > Book, [PU: Rutgers University Press]<
Rutgers University Press, 1995-01. Hardcover. New. New unused book with light shelf/handling/edge wear. NO dust jacket. Remainder mark on bottom edge of book. Fast shipping!, Rutgers Un… Mehr…
Rutgers University Press, 1995-01. Hardcover. New. New unused book with light shelf/handling/edge wear. NO dust jacket. Remainder mark on bottom edge of book. Fast shipping!, Rutgers University Press, 1995-01<
hardcover, Access codes and supplements are not guaranteed with used items. May be an ex-library book., Gebraucht, guter Zustand, [PU: Rutgers University Press]
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Detailangaben zum Buch - Viewing Positions: Ways of Seeing Film (Rutgers Depth of Field)
EAN (ISBN-13): 9780813521329 ISBN (ISBN-10): 0813521327 Gebundene Ausgabe Erscheinungsjahr: 1995 Herausgeber: Rutgers University Press
Buch in der Datenbank seit 2008-01-03T23:03:02+01:00 (Vienna) Detailseite zuletzt geändert am 2023-03-02T17:14:20+01:00 (Vienna) ISBN/EAN: 0813521327
ISBN - alternative Schreibweisen: 0-8135-2132-7, 978-0-8135-2132-9 Alternative Schreibweisen und verwandte Suchbegriffe: Autor des Buches: linda williams Titel des Buches: depth field, film, seeing the depth, viewing positions
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