The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary s… Mehr…
The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres.In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac's La Comedie humaine to Proust's A la recherche du temps perdu, by way of (among others) Dumas pere's Le Comte de Monte-Cristo and Leroux's Le Fantome de l'Opera.Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts.The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience.; PDF; Music, Stage & Screen > Music > Music: styles & genres > Western "classical" music > Opera, Cambridge University Press<
hive.co.uk
No. 9780511985393. Versandkosten:Instock, Despatched same working day before 3pm, zzgl. Versandkosten. Details...
(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary s… Mehr…
The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres.In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac's La Comedie humaine to Proust's A la recherche du temps perdu, by way of (among others) Dumas pere's Le Comte de Monte-Cristo and Leroux's Le Fantome de l'Opera.Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts.The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience.; PDF; Music, Stage & Screen > Music > Music: styles & genres > Western "classical" music > Opera, Cambridge University Press<
hive.co.uk
No. 9780511985393. Versandkosten:Instock, Despatched same working day before 3pm, zzgl. Versandkosten. Details...
(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary s… Mehr…
The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres.In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac's La Comedie humaine to Proust's A la recherche du temps perdu, by way of (among others) Dumas pere's Le Comte de Monte-Cristo and Leroux's Le Fantome de l'Opera.Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts.The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience.; PDF; Music, Stage & Screen > Music > Music: styles & genres > Western "classical" music > Opera, Cambridge University Press<
hive.co.uk
No. 9780511985393. Versandkosten:Instock, Despatched same working day before 3pm, zzgl. Versandkosten. Details...
(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
Newark studies the development of a key device in French fiction of the nineteenth century: the soiree a l'Opera.; EPUB; Music, Stage & Screen > Music > Music: styles & genres > Western "… Mehr…
Newark studies the development of a key device in French fiction of the nineteenth century: the soiree a l'Opera.; EPUB; Music, Stage & Screen > Music > Music: styles & genres > Western "classical" music > Opera, Houghton Mifflin Harcourt<
hive.co.uk
No. 9780511985393. Versandkosten:Instock, Despatched same working day before 3pm, zzgl. Versandkosten. Details...
(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary s… Mehr…
The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres.In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac's La Comedie humaine to Proust's A la recherche du temps perdu, by way of (among others) Dumas pere's Le Comte de Monte-Cristo and Leroux's Le Fantome de l'Opera.Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts.The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience.; PDF; Music, Stage & Screen > Music > Music: styles & genres > Western "classical" music > Opera, Cambridge University Press<
No. 9780511985393. Versandkosten:Instock, Despatched same working day before 3pm, zzgl. Versandkosten.
The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary s… Mehr…
The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres.In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac's La Comedie humaine to Proust's A la recherche du temps perdu, by way of (among others) Dumas pere's Le Comte de Monte-Cristo and Leroux's Le Fantome de l'Opera.Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts.The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience.; PDF; Music, Stage & Screen > Music > Music: styles & genres > Western "classical" music > Opera, Cambridge University Press<
No. 9780511985393. Versandkosten:Instock, Despatched same working day before 3pm, zzgl. Versandkosten.
The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary s… Mehr…
The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres.In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac's La Comedie humaine to Proust's A la recherche du temps perdu, by way of (among others) Dumas pere's Le Comte de Monte-Cristo and Leroux's Le Fantome de l'Opera.Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts.The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience.; PDF; Music, Stage & Screen > Music > Music: styles & genres > Western "classical" music > Opera, Cambridge University Press<
No. 9780511985393. Versandkosten:Instock, Despatched same working day before 3pm, zzgl. Versandkosten.
Newark studies the development of a key device in French fiction of the nineteenth century: the soiree a l'Opera.; EPUB; Music, Stage & Screen > Music > Music: styles & genres > Western "… Mehr…
Newark studies the development of a key device in French fiction of the nineteenth century: the soiree a l'Opera.; EPUB; Music, Stage & Screen > Music > Music: styles & genres > Western "classical" music > Opera, Houghton Mifflin Harcourt<
No. 9780511985393. Versandkosten:Instock, Despatched same working day before 3pm, zzgl. Versandkosten.
1Da einige Plattformen keine Versandkonditionen übermitteln und diese vom Lieferland, dem Einkaufspreis, dem Gewicht und der Größe des Artikels, einer möglichen Mitgliedschaft der Plattform, einer direkten Lieferung durch die Plattform oder über einen Drittanbieter (Marketplace), etc. abhängig sein können, ist es möglich, dass die von eurobuch angegebenen Versandkosten nicht mit denen der anbietenden Plattform übereinstimmen.
Detailangaben zum Buch - Opera in the Novel from Balzac to Proust
EAN (ISBN-13): 9780511985393 Erscheinungsjahr: 2011 Herausgeber: Cambridge University Press
Buch in der Datenbank seit 2008-07-12T01:18:39+02:00 (Vienna) Detailseite zuletzt geändert am 2024-01-07T16:36:03+01:00 (Vienna) ISBN/EAN: 9780511985393
ISBN - alternative Schreibweisen: 978-0-511-98539-3 Alternative Schreibweisen und verwandte Suchbegriffe: Autor des Buches: corma, cormac, proust, lorrie moore, houghton mifflin harcourt Titel des Buches: balzac, proust, opera opera
Weitere, andere Bücher, die diesem Buch sehr ähnlich sein könnten:
