Lincoln, Jancovich, Mark Geraghty: The Shifting Definitions of Genre : Essays on Labeling Films, Television Shows and Media by Lincoln, Jancovich, Mark Geraghty - gebrauchtes Buch
Histories of science fiction often dicuss Fritz Lang's Metropolis as a classic text within the genre--yet the term "science fiction" had not been invented at the time of the films release… Mehr…
Histories of science fiction often dicuss Fritz Lang's Metropolis as a classic text within the genre--yet the term "science fiction" had not been invented at the time of the films release. If the genre did not have a name, did it exist? Does retroactive assignment to a genre change our understanding of a film? Do films shift in meaning and status as the name of a genre changes meaning over time? These provocative questions are at the heart of this book, whose thirteen essays examine the varying constructions of genre within film, television, and other entertainment media. Collectively, the authors argue that generic labels are largely irrelevant or even detrimental to the works to which they are applied. Part One examines the meanings of genre reveals how the media are involved in the production and dissemination of generic definitions. Part Two considers specific films (or groups of films) and their relationships within various categorizations. Part Three focuses on the closely tied concepts of history and memory as they relate to the perceptions of genre. Media >, [PU: McFarland & Company]<
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Histories of science fiction often dicuss Fritz Lang's Metropolis as a classic text within the genre--yet the term "science fiction" had not been invented at the time of the films release… Mehr…
Histories of science fiction often dicuss Fritz Lang's Metropolis as a classic text within the genre--yet the term "science fiction" had not been invented at the time of the films release. If the genre did not have a name, did it exist? Does retroactive assignment to a genre change our understanding of a film? Do films shift in meaning and status as the name of a genre changes meaning over time? These provocative questions are at the heart of this book, whose thirteen essays examine the varying constructions of genre within film, television, and other entertainment media. Collectively, the authors argue that generic labels are largely irrelevant or even detrimental to the works to which they are applied. Part One examines the meanings of genre reveals how the media are involved in the production and dissemination of generic definitions. Part Two considers specific films (or groups of films) and their relationships within various categorizations. Part Three focuses on the closely tied concepts of history and memory as they relate to the perceptions of genre. Media > Book, [PU: McFarland & Company]<
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used in stock. Versandkosten:zzgl. Versandkosten. Details...
(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
Histories of science fiction often dicuss Fritz Lang's Metropolis as a classic text within the genre--yet the term "science fiction" had not been invented at the time of the films release… Mehr…
Histories of science fiction often dicuss Fritz Lang's Metropolis as a classic text within the genre--yet the term "science fiction" had not been invented at the time of the films release. If the genre did not have a name, did it exist? Does retroactive assignment to a genre change our understanding of a film? Do films shift in meaning and status as the name of a genre changes meaning over time? These provocative questions are at the heart of this book, whose thirteen essays examine the varying constructions of genre within film, television, and other entertainment media. Collectively, the authors argue that generic labels are largely irrelevant or even detrimental to the works to which they are applied. Part One examines the meanings of genre reveals how the media are involved in the production and dissemination of generic definitions. Part Two considers specific films (or groups of films) and their relationships within various categorizations. Part Three focuses on the closely tied concepts of history and memory as they relate to the perceptions of genre. Media >, [PU: McFarland & Company]<
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used in stock. Versandkosten:zzgl. Versandkosten. Details...
(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
A digital copy of "Shifting Definitions of Genre" by Geraghty. Download is immediately available upon purchase! 9780786434305,0786434309,shifting,definitions,genre,geraghty eBook, McFarl… Mehr…
A digital copy of "Shifting Definitions of Genre" by Geraghty. Download is immediately available upon purchase! 9780786434305,0786434309,shifting,definitions,genre,geraghty eBook, McFarland & Company, Inc. Publishers<
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Download INSTANTLY! Format: VitalSource. Type: . Copying: Allowed, .2Â.36 selections may be copied every 2Â.365 days. Printable: Allowed, .2Â.36 prints for 2Â.365 days. Expires: No Expiration. Read Aloud?: Allowed. Sharing: Not Allowed. Software: Online: No additional software required Offline: VitalSource Bookshelf. Shipping to USA only! Textbooks. Versandkosten:zzgl. Versandkosten. Details...
(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
Histories of science fiction often dicuss Fritz Lang's Metropolis as a classic text within the genre--yet the term "science fiction" had not been invented at the time of the films release… Mehr…
Histories of science fiction often dicuss Fritz Lang's Metropolis as a classic text within the genre--yet the term "science fiction" had not been invented at the time of the films release. If the genre did not have a name, did it exist? Does retroactive assignment to a genre change our understanding of a film? Do films shift in meaning and status as the name of a genre changes meaning over time? These provocative questions are at the heart of this book, whose thirteen essays examine the varying constructions of genre within film, television, and other entertainment media. Collectively, the authors argue that generic labels are largely irrelevant or even detrimental to the works to which they are applied. Part One examines the meanings of genre reveals how the media are involved in the production and dissemination of generic definitions. Part Two considers specific films (or groups of films) and their relationships within various categorizations. Part Three focuses on the closely tied concepts of history and memory as they relate to the perceptions of genre. Media >, [PU: McFarland & Company]<
Histories of science fiction often dicuss Fritz Lang's Metropolis as a classic text within the genre--yet the term "science fiction" had not been invented at the time of the films release… Mehr…
Histories of science fiction often dicuss Fritz Lang's Metropolis as a classic text within the genre--yet the term "science fiction" had not been invented at the time of the films release. If the genre did not have a name, did it exist? Does retroactive assignment to a genre change our understanding of a film? Do films shift in meaning and status as the name of a genre changes meaning over time? These provocative questions are at the heart of this book, whose thirteen essays examine the varying constructions of genre within film, television, and other entertainment media. Collectively, the authors argue that generic labels are largely irrelevant or even detrimental to the works to which they are applied. Part One examines the meanings of genre reveals how the media are involved in the production and dissemination of generic definitions. Part Two considers specific films (or groups of films) and their relationships within various categorizations. Part Three focuses on the closely tied concepts of history and memory as they relate to the perceptions of genre. Media > Book, [PU: McFarland & Company]<
Histories of science fiction often dicuss Fritz Lang's Metropolis as a classic text within the genre--yet the term "science fiction" had not been invented at the time of the films release… Mehr…
Histories of science fiction often dicuss Fritz Lang's Metropolis as a classic text within the genre--yet the term "science fiction" had not been invented at the time of the films release. If the genre did not have a name, did it exist? Does retroactive assignment to a genre change our understanding of a film? Do films shift in meaning and status as the name of a genre changes meaning over time? These provocative questions are at the heart of this book, whose thirteen essays examine the varying constructions of genre within film, television, and other entertainment media. Collectively, the authors argue that generic labels are largely irrelevant or even detrimental to the works to which they are applied. Part One examines the meanings of genre reveals how the media are involved in the production and dissemination of generic definitions. Part Two considers specific films (or groups of films) and their relationships within various categorizations. Part Three focuses on the closely tied concepts of history and memory as they relate to the perceptions of genre. Media >, [PU: McFarland & Company]<
A digital copy of "Shifting Definitions of Genre" by Geraghty. Download is immediately available upon purchase! 9780786434305,0786434309,shifting,definitions,genre,geraghty eBook, McFarl… Mehr…
A digital copy of "Shifting Definitions of Genre" by Geraghty. Download is immediately available upon purchase! 9780786434305,0786434309,shifting,definitions,genre,geraghty eBook, McFarland & Company, Inc. Publishers<
Download INSTANTLY! Format: VitalSource. Type: . Copying: Allowed, .2Â.36 selections may be copied every 2Â.365 days. Printable: Allowed, .2Â.36 prints for 2Â.365 days. Expires: No Expiration. Read Aloud?: Allowed. Sharing: Not Allowed. Software: Online: No additional software required <br> Offline: VitalSource Bookshelf. Shipping to USA only! Textbooks. Versandkosten:zzgl. Versandkosten.
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Histories of science fiction often dicuss Fritz Lang's Metropolis as a classic work within the genre-yet the term "science fiction" had not been invented at the time of the film's release. If the genre did not have a name, did it exist? Does retroactive assignment to a genre change our understanding of a film? Do films shift in meaning and status as the name of a genre changes meaning over time? These provocative questions are at the heart of this book, whose thirteen essays examine the varying constructions of genre within film, television, and other entertainment media. Collectively, the authors argue that generic labels are largely irrelevant or even detrimental to the works to which they are applied.
Detailangaben zum Buch - The Shifting Definitions of Genre
EAN (ISBN-13): 9780786434305 ISBN (ISBN-10): 0786434309 Taschenbuch Erscheinungsjahr: 2008 Herausgeber: McFarland & Co Inc 260 Seiten Gewicht: 0,380 kg Sprache: eng/Englisch
Buch in der Datenbank seit 2008-06-26T22:58:51+02:00 (Vienna) Detailseite zuletzt geändert am 2023-12-07T07:17:22+01:00 (Vienna) ISBN/EAN: 9780786434305
ISBN - alternative Schreibweisen: 0-7864-3430-9, 978-0-7864-3430-5 Alternative Schreibweisen und verwandte Suchbegriffe: Autor des Buches: geraghty Titel des Buches: definitions, shifting shifting, définitions
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