2001, ISBN: 9781156820933

[ED: Taschenbuch], [PU: Books LLC, Reference Series], Source: Wikipedia. Pages: 40. Chapters: Ancient Greek music, Ancient Roman music, Musical mode, Tetrachord, Ancient Celtic music, Mus… Mehr…

[ED: Taschenbuch], [PU: Books LLC, Reference Series], Source: Wikipedia. Pages: 40. Chapters: Ancient Greek music, Ancient Roman music, Musical mode, Tetrachord, Ancient Celtic music, Musical system of ancient greece, Music of ancient Greece, Prehistoric music, Divje Babe flute, Cult of Artemis at Brauron, Music of ancient Rome, Aoidos, Dithyramb, Synaulia, Barbat, Music of Mesopotamia, Maya music, Paleolithic flutes, Music in ancient India, Aeneator, Lyres of Ur, Olen, International Study Group on Music Archaeology, Citharede, Flaccus, Aulete. Excerpt: In modern Western music, mode (from Latin modus, "measure, standard, manner, way") is a concept that involves scale and melody type. Historically, the word had other possible meanings. In the early medieval period, it meant interval. In the late medieval period, it meant the rhythmic relationship between long and short values (Powers 2001, Introduction). Since the end of the eighteenth century, the term has also applied-in ethnomusicological contexts-to pitch structures in non-European musical cultures, sometimes with doubtful compatibility (Powers 2001, V,1). This article addresses the medieval and modern scale and melody-type meaning. A "scale" is an ordered series of intervals that, with the key or tonic (first tone), defines that scale's intervals, or steps. However, in the modern sense, "mode" is usually used in the sense of "scale," applied only to the seven specific diatonic scales (using only the seven tones of the scale without chromatic alterations, e.g., using only the white keys on a piano or keyboard) that follow the tonic note. The use of more than one mode makes music polymodal, as with polymodal chromaticism. Modern musicological practice has extended the concept of mode to earlier musical systems, such as those of Ancient Greek music and Jewish cantillation, as well as to non-Western musics (Powers 2001, I, 3 Winnington-Ingram 1936, 2-3). Early Greek treatises on music do not use the term "mode" (which comes from Latin), but do describe three interrelated concepts that are related to the later, medieval idea of "mode": (1) scales (or "systems"), (2) tonos-pl. tonoi-(the more usual term used in medieval theory for what later came to be called "mode"), and (3) harmonia (harmony)-pl. harmoniai-this third term subsuming the corresponding tonoi but not necessarily the converse (Mathiesen 2001a, 6(iii)(e)Thomas J. Mathiesen, "Greece, I: Ancient"). The Greek scales in the Aristoxenian tradition were (Barbera 1984, 240 Mathiesen 2001a, 6(iii)(d)): TheVersandfertig in 3-5 Tagen, [SC: 0.00]<

2001, ISBN: 9781156820933

[ED: Taschenbuch], [PU: Books LLC, Reference Series], Source: Wikipedia. Pages: 40. Chapters: Ancient Greek music, Ancient Roman music, Musical mode, Tetrachord, Ancient Celtic music, Mus… Mehr…

[ED: Taschenbuch], [PU: Books LLC, Reference Series], Source: Wikipedia. Pages: 40. Chapters: Ancient Greek music, Ancient Roman music, Musical mode, Tetrachord, Ancient Celtic music, Musical system of ancient greece, Music of ancient Greece, Prehistoric music, Divje Babe flute, Cult of Artemis at Brauron, Music of ancient Rome, Aoidos, Dithyramb, Synaulia, Barbat, Music of Mesopotamia, Maya music, Paleolithic flutes, Music in ancient India, Aeneator, Lyres of Ur, Olen, International Study Group on Music Archaeology, Citharede, Flaccus, Aulete. Excerpt: In modern Western music, mode (from Latin modus, "measure, standard, manner, way") is a concept that involves scale and melody type. Historically, the word had other possible meanings. In the early medieval period, it meant interval. In the late medieval period, it meant the rhythmic relationship between long and short values (Powers 2001, Introduction). Since the end of the eighteenth century, the term has also applied-in ethnomusicological contexts-to pitch structures in non-European musical cultures, sometimes with doubtful compatibility (Powers 2001, V,1). This article addresses the medieval and modern scale and melody-type meaning. A "scale" is an ordered series of intervals that, with the key or tonic (first tone), defines that scale's intervals, or steps. However, in the modern sense, "mode" is usually used in the sense of "scale," applied only to the seven specific diatonic scales (using only the seven tones of the scale without chromatic alterations, e.g., using only the white keys on a piano or keyboard) that follow the tonic note. The use of more than one mode makes music polymodal, as with polymodal chromaticism. Modern musicological practice has extended the concept of mode to earlier musical systems, such as those of Ancient Greek music and Jewish cantillation, as well as to non-Western musics (Powers 2001, I, 3 Winnington-Ingram 1936, 2-3). Early Greek treatises on music do not use the term "mode" (which comes from Latin), but do describe three interrelated concepts that are related to the later, medieval idea of "mode": (1) scales (or "systems"), (2) tonos-pl. tonoi-(the more usual term used in medieval theory for what later came to be called "mode"), and (3) harmonia (harmony)-pl. harmoniai-this third term subsuming the corresponding tonoi but not necessarily the converse (Mathiesen 2001a, 6(iii)(e)Thomas J. Mathiesen, "Greece, I: Ancient"). The Greek scales in the Aristoxenian tradition were (Barbera 1984, 240 Mathiesen 2001a, 6(iii)(d)): TheVersandfertig in 3-5 Tagen, [SC: 0.00]<

2011, ISBN: 9781156820933

[ED: Pappeinband], [PU: Bertrams Print On Demand], - Source: Wikipedia. Pages: 40. Chapters: Ancient Greek music, Ancient Roman music, Musical mode, Tetrachord, Ancient Celtic music, Musi… Mehr…

[ED: Pappeinband], [PU: Bertrams Print On Demand], - Source: Wikipedia. Pages: 40. Chapters: Ancient Greek music, Ancient Roman music, Musical mode, Tetrachord, Ancient Celtic music, Musical system of ancient greece, Music of ancient Greece, Prehistoric music, Divje Babe flute, Cult of Artemis at Brauron, Music of ancient Rome, Aoidos, Dithyramb, Synaulia, Barbat, Music of Mesopotamia, Maya music, Paleolithic flutes, Music in ancient India, Aeneator, Lyres of Ur, Olen, International Study Group on Music Archaeology, Citharede, Flaccus, Aulete. Excerpt: In modern Western music, mode (from Latin modus, measure, standard, manner, way) is a concept that involves scale and melody type. Historically, the word had other possible meanings. In the early medieval period, it meant interval. In the late medieval period, it meant the rhythmic relationship between long and short values (Powers 2001, Introduction). Since the end of the eighteenth century, the term has also applied-in ethnomusicological contexts-to pitch structures in non-European musical cultures, sometimes with doubtful compatibility (Powers 2001, V,1). This article addresses the medieval and modern scale and melody-type meaning. A scale is an ordered series of intervals that, with the key or tonic (first tone), defines that scale's intervals, or steps. However, in the modern sense, mode is usually used in the sense of scale, applied only to the seven specific diatonic scales (using only the seven tones of the scale without chromatic alterations, e.g., using only the white keys on a piano or keyboard) that follow the tonic note. The use of more than one mode makes music polymodal, as with polymodal chromaticism. Modern musicological practice has extended the concept of mode to earlier musical systems, such as those of Ancient Greek music and Jewish cantillation, as well as to non-Western musics (Powers 2001, I, 3 Winnington-Ingram 1936, 2-3). Early Greek treatises on music do not use the term mode (which comes from Latin), but do describe three interrelated concepts that are related to the later, medieval idea of mode: (1) scales (or systems), (2) tonos-pl. tonoi-(the more usual term used in medieval theory for what later came to be called mode), and (3) harmonia (harmony)-pl. harmoniai-this third term subsuming the corresponding tonoi but not necessarily the converse (Mathiesen 2001a, 6(iii)(e)Thomas J. Mathiesen, Greece, I: Ancient). The Greek scales in the Aristoxenian tradition were (Barbera 1984, 240 Mathiesen 2001a, 6(iii)(d)): The - Besorgungstitel - vorauss. Lieferzeit 3-5 Tage.., [SC: 0.00]<

2010, ISBN: 1156820936, Lieferbar binnen 4-6 Wochen Versandkosten:Versandkostenfrei innerhalb der BRD

Internationaler Buchtitel. In englischer Sprache. Verlag: LIFE JOURNEY, 72 Seiten, L=152mm, B=229mm, H=4mm, Gew.=118gr, Kartoniert/Broschiert