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Pierre Klossowski: The Pantomime of Spirits - Hervé Castanet
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2019, ISBN: 9783034302098

ID: 978303430209

This book examines the many facets of the work of Pierre Klossowski (1905–2001). Klossowski first established himself as a writer and was known and admired by peers such as Bataille, Blanchot, Gide, Foucault, Deleuze and Lacan. But in 1972 he gave up writing to devote himself to his ‘mutism’: painting made up of large coloured drawings. In time he became as famous a painter as he had been a writer and theorist. Klossowski now has two separate groups of commentators: those concerned with his writings and those with his painting, with little overlap between the two. Here, this separation is explicitly removed. Klossowski’s entire œuvre revolved around the concept of the gaze. Rarely has the gaze been so radically interpreted – as an active, mobile, evanescent object that breaks down the connections between representation and the visible. How is one to see the invisible divinity? This question plagued Klossowski, and he displaced it onto pornographic rituals. The pantomime of spirits is the scene, fixed in silence, where bodies meet – a knotting of desiring body and dogmatic theology. A creator of simulacra, Klossowski attempted to exorcise the ‘obsessive constraint of the phantasm’ that subjugated him in all these scenes. Translated from the French by Adrian Price in collaboration with Pamela King. Hervé Castanet, Books, Fiction and Literature, Pierre Klossowski: The Pantomime of Spirits Books>Fiction and Literature, Peter Lang AG, Internationaler Verlag der Wissenschaften

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2018, ISBN: 9783034302098

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2018, ISBN: 9783034302098

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Pierre Klossowski The Pantomime of Spirits

This book examines the many facets of the work of Pierre Klossowski (1905-2001). Klossowski first established himself as a writer and was known and admired by peers such as Bataille, Blanchot, Gide, Foucault, Deleuze and Lacan. But in 1972 he gave up writing to devote himself to his 'mutism': painting made up of large coloured drawings. In time he became as famous a painter as he had been a writer and theorist. Klossowski now has two separate groups of commentators: those concerned with his writings and those with his painting, with little overlap between the two. Here, this separation is explicitly removed. Klossowski's entire 'oeuvre' revolved around the concept of the gaze. Rarely has the gaze been so radically interpreted - as an active, mobile, evanescent object that breaks down the connections between representation and the visible. How is one to see the invisible divinity? This question plagued Klossowski, and he displaced it onto pornographic rituals. The 'pantomime of spirits' is the scene, fixed in silence, where bodies meet - a knotting of desiring body and dogmatic theology. A creator of 'simulacra', Klossowski attempted to exorcise the obsessive constraint of the 'phantasm'' that subjugated him in all these scenes. Translated from the French by Adrian Price in collaboration with Pamela King.

Detailangaben zum Buch - Pierre Klossowski The Pantomime of Spirits


EAN (ISBN-13): 9783034302098
ISBN (ISBN-10): 3034302096
Gebundene Ausgabe
Taschenbuch
Erscheinungsjahr: 2014
Herausgeber: Lang, Peter Bern, 27.05.2014.

Buch in der Datenbank seit 05.08.2014 17:00:15
Buch zuletzt gefunden am 12.04.2018 18:25:52
ISBN/EAN: 9783034302098

ISBN - alternative Schreibweisen:
3-0343-0209-6, 978-3-0343-0209-8


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