Bücher: Finden. Vergleichen. Kaufen.

(*)

Piero Manzoni, Germano Celant, Massimiliano Gioni, Martin Engler, Max Hollein:
Piero Manzoni: When Bodies Became Art - gebunden oder broschiert

ISBN: 3866788746

[SR: 1000004], Hardcover, [EAN: 9783866788749], Kerber, Kerber, Book, [PU: Kerber], Kerber, Few artists have combined conceptual ingenuity with devastating critique as deftly and wittily as Piero Manzoni (1933–1963). Fifty years after his death at the tender age of 29, Manzoni remains unsurpassed as a provocateur: his Artist's Breath and Artist's Shit editions, which now sell for hundreds of thousands of dollars, are unanswerable satirical attacks on art-world economics and values, and his designations of various persons (such as Umberto Eco and Marcel Broodthaers) as "living artworks" prefigure many strains in performance art. Manzoni thus effected some of the most decisive paradigm shifts in postwar art, something for which he is only rarely given full credit. This comprehensive survey accompanies a major retrospective at the Städel in Frankfurt (the first major Manzoni retrospective outside Italy in more than two decades), and is published on the occasion of what would have been his eightieth birthday. It reproduces more than 100 works from all phases of the artist's brief but massively influential career, from his early Klein-influenced monochromes (or "Achromes") and the Art Informel years to his role as a leading member of the Zero group (alongside Mack, Piene, Tinguely, Klein, Fontana) and beyo, 8947735011, Monographs, 1104, Individual Artists, 1, Arts & Photography, 1000, Subjects, 283155, Books, 10825731, Criticism, 1064, History & Criticism, 1, Arts & Photography, 1000, Subjects, 283155, Books

(*)

Engler, Martin / Germano, Celant / Gioni, Massimiliano:
Piero Manzoni: When Bodies Became Art - gebrauchtes Buch

ISBN: 9783866788749

ID: 21330956

Few artists have combined conceptual ingenuity with devastating critique as deftly and wittily as Piero Manzoni (1933-1963). Fifty years after his death at the tender age of 29, Manzoni remains unsurpassed as a provocateur: his "Artist's Breath" and "Artist's Shit" editions, which now sell for hundreds of thousands of dollars, are unanswerable satirical attacks on art-world economics and values, and his designations of various persons (such as Umberto Eco and Marcel Broodthaers) as "living artworks" prefigure many strains in performance art. Manzoni thus effected some of the most decisive paradigm shifts in postwar art, something for which he is only rarely given full credit. This comprehensive survey accompanies a major retrospective at the Städel in Frankfurt (the first major Manzoni retrospective outside Italy in more than two decades), and is published on the occasion of what would have been his eightieth birthday. It reproduces more than 100 works from all phases of the artist's brief but massively influential career, from his early Klein-influenced monochromes (or "Achromes") and the Art Informel years to his role as a leading member of the Zero group (alongside Mack, Piene, Tinguely, Klein, Fontana) and beyond. Piero Manzoni: When Bodies Became Art Engler, Martin / Germano, Celant / Gioni, Massimiliano, Kerber Verlag

(*)

Piero Manzoni: When Bodies Became Art - neues Buch

2013, ISBN: 9783866788749

ID: 978386678874

Few artists have combined conceptual ingenuity with devastating critique as deftly and wittily as Piero Manzoni (1933–1963). Fifty years after his death at the tender age of 29, Manzoni remains unsurpassed as a provocateur: his Artist''s Breath and Artist''s Shit editions, which now sell for hundreds of thousands of dollars, are unanswerable satirical attacks on art-world economics and values, and his designations of various persons (such as Umberto Eco and Marcel Broodthaers) as living artworks prefigure many strains in performance art. Manzoni thus effected some of the most decisive paradigm shifts in postwar art, something for which he is only rarely given full credit. This comprehensive survey accompanies a major retrospective at the Städel in Frankfurt (the first major Manzoni retrospective outside Italy in more than two decades), and is published on the occasion of what would have been his eightieth birthday. It reproduces more than 100 works from all phases of the artist''s brief but massively influential career, from his early Klein-influenced monochromes (or Achromes) and the Art Informel years to his role as a leading member of the Zero group (alongside Mack, Piene, Tinguely, Klein, Fontana) and beyond. Books, Piero Manzoni: When Bodies Became Art Books, Kerber

(*)

Celant, Germano; Gioni, Massimiliano:
Piero Manzoni: When Bodies Became Art - gebrauchtes Buch

ISBN: 3866788746

ID: 14926932

Few artists have combined conceptual ingenuity with devastating critique as deftly and wittily as Piero Manzoni (1933-1963). Fifty years after his death at the tender age of 29, Manzoni remains unsurpassed as a provocateur: his Artist's Breath and Artist's Shit editions, which now sell for hundreds of thousands of dollars, are unanswerable satirical attacks on art-world economics and values, and his designations of various persons (such as Umberto Eco and Marcel Broodthaers) as "living artworks" prefigure many strains in performance art. Manzoni thus effected some of the most decisive paradigm shifts in postwar art, something for which he is only rarely given full credit. This comprehensive survey accompanies a major retrospective at the Stadel in Frankfurt (the first major Manzoni retrospective outside Italy in more than two decades), and is published on the occasion of what would have been his eightieth birthday. It reproduces more than 100 works from all phases of the artist's brief but massively influential career, from his early Klein-influenced monochromes (or "Achromes") and the Art Informel years to his role as a leading member of the Zero group (alongside Mack, Piene, Tinguely, Klein, Fontana) and beyond. art,arts music and photography Arts, Music & Photography, Kerber Verlag

(*)

Piero Manzoni - neues Buch

ISBN: 9783866788749

ID: 9783866788749

Sein Werk ist auch 50 Jahre nach seinem frühen Tod noch epochal und avantgardistisch: Piero Manzoni (1933 -1963) ist sicherlich der folgenreichste und wichtigste Künstler der italienischen Nachkriegskunst. Diese umfangreiche Publikation entsteht anlässlich der ersten umfassenden Werkschau des Künstlers in Deutschland überhaupt. Manzoni suchte zwischen der Kunst des Informel und dem Aufkommen eines neuen, in den Alltag sich erweiternden Kunstbegriffs, zwischen Klassischer Moderne und Neo-Avantgarde nach neuen künstlerischen Ausdrucksformen. Der Ausstellungskatalog beschreibt das schillernde, körperlich-sinnliche Werk des Italieners als Anstoß und maßgeblichen Beitrag zum radikalen Wandel der Kunst um 1960. Biografie Piero Manzoni: 1933 geboren in Soncino, Italien 1955 lernt in Mailand und Albisola Mitgleider der Gruppe Arte Nucleare und Lucio Fontana kennen. 1956 erstes Manifest Per la scoperta di una zona di immagini 1959 Gründung der Galerie Azimut in Mailand mit Enrico Castellani und erste Ausgabe der Zeitschrift "Azimuth" 1960 mehrwöchiger Aufenthalt in,Herning (Dänemark) 1961 erste lebende Skulpturen (Sculture viventi) 1963 gestorben in seinem Studio in Mailand Books