Sander, Beate; Heidysch, Bernd; Rister, Martin:Schch, Wahlpflichtfergruppe I /Iii: Bd.9
- signiertes Exemplar 2010, ISBN: 9783427740032
Taschenbuch, Gebundene Ausgabe
Cymric Press, 1975. First edition. Near fine illustrated (by Duffy) stapled wraps with clean bright text throughout. Just the lightest age toning. One of the more forgotten Beat poets, C… Mehr…
Cymric Press, 1975. First edition. Near fine illustrated (by Duffy) stapled wraps with clean bright text throughout. Just the lightest age toning. One of the more forgotten Beat poets, Cymric Press, 1975, 0, [Salt Lake City, UT]: Uconoclasts Suite I: Literary Utah, 2010. Print. This print (16" by 12") is signed by the artist. Utah's literary iconoclastic past as depicted by visual portraits of twelve Utah mavericks who all, in one way or another, have gone against the grain. Uconoclasts Suite I: Literary Utah includes some of Utah's most famous and beloved and controversial literary figures (Edward Abbey, Bernard Devoto, Wallace Stegner and Wallace Thurman, for example) and even includes the beat generation icon Neal Cassady (who was born in Utah). Whether native sons and daughters or not, all Uconoclasts also share some sort of Utah connection. If they weren't born in the state, like Cassady, then the state and its geography: its people and its places, had a profound effect on them, as in the case of Abbey and Stegner. All twelve of these initial Uconoclasts have all been chosen because of their creative genius and their dedication to their dreams and pursuits, sometimes against all odds and at great personal cost. These Uconoclasts have pursued their dreams and visions, sometimes down dark and uncomfortable corridors than transcend traditional boundaries. There was no box for them to think outside of. Mavericks in some manner or another...all. Being a Uconoclast isn't about fame per se so much as accomplishment in the face of all odds. The Utah connection is paramount, albeit in Neal Cassady's case tenuous. But he was born here. And in some important if not always apparent way, their accomplishments in their respective fields must include a maverick-ness of some kind, a going against the grain, an iconoclastic nature - uconoclasm., Uconoclasts Suite I: Literary Utah, 2010, 0, Chicago: Life Magazine, 1967. First edition. Paperback. Good +. Folio sized stapled wrappers. The February 17, 1967 issue of Life Magazine. With cover featuring Ed Sanders and including an article on Happenings: The Worldwide Underground of the Arts. Typical handling wear. A good to very good copy., Life Magazine, 1967, 2.5, Woodstock & New York: The Overlook Press, 2000. First edition. Hardcover. Fine/near fine. 8vo. 252 pp. As the subtitle suggests, a book length narrative poem tribute to Allen Ginsberg. A fine hardbound copy in near fine price-intact dustwrapper., The Overlook Press, 2000, 4.5, [Salt Lake City, UT]: Uconoclasts Suite I: Literary Utah, 2010. As New. Limited edition print (16 x 12"). Signed and numbered (limited to 100 copies) by the artist, Trent Call. "May Swenson: Liberated Poet of Cache Valley," is part of the "Uconoclasts" series of portraits painted by Utah artist, Trent Call. This project was commisioned and distributed by Ken Sanders Rare Books. Utah's literary iconoclastic past as depicted by visual portraits of twelve Utah mavericks who all, in one way or another, have gone against the grain. Uconoclasts Suite I: Literary Utah, includes some of Utah's most famous and beloved and controversial literary figures (Edward Abbey, Bernard Devoto, Wallace Stegner and Wallace Thurman, for example) and even includes the beat generation icon Neal Cassady (who was born in Utah). Whether native sons and daughters or not, all Uconoclasts also share some sort of Utah connection. If they weren't born in the state, like Cassady, then the state and its geography, its people and its places, had a profound effect on them, as in the case of Abbey and Stegner. All twelve of these initial Uconoclasts have all been chosen because of their creative genius and their dedication to their dreams and pursuits, sometimes against all odds and at great personal cost. These Uconoclasts have pursued their dreams and visions, sometimes down dark and uncomfortable corridors that transcend traditional boundaries. There was no box for them to think outside of. Mavericks in some manner or another...all. Being a Uconoclast isn't about fame per se so much as accomplishment in the face of all odds. The Utah connection is paramount, albeit in Neal Cassady's case tenuous. But he was born here. And in some important if not always apparent way, their accomplishments in their respective fields must include a maverick-ness of some kind, a going against the grain, an iconoclastic nature - uconoclasm., Uconoclasts Suite I: Literary Utah, 2010, 5, [Salt Lake City, UT]: Uconoclasts Suite I: Literary Utah, 2010. Print. This print (16" by 12") is signed by the artist. Utah's literary iconoclastic past as depicted by visual portraits of twelve Utah mavericks who all, in one way or another, have gone against the grain. Uconoclasts Suite I: Literary Utah includes some of Utah's most famous and beloved and controversial literary figures (Edward Abbey, Bernard Devoto, Wallace Stegner and Wallace Thurman, for example) and even includes the beat generation icon Neal Cassady (who was born in Utah). Whether native sons and daughters or not, all Uconoclasts also share some sort of Utah connection. If they weren't born in the state, like Cassady, then the state and its geography: its people and its places, had a profound effect on them, as in the case of Abbey and Stegner. All twelve of these initial Uconoclasts have all been chosen because of their creative genius and their dedication to their dreams and pursuits, sometimes against all odds and at great personal cost. These Uconoclasts have pursued their dreams and visions, sometimes down dark and uncomfortable corridors than transcend traditional boundaries. There was no box for them to think outside of. Mavericks in some manner or another...all. Being a Uconoclast isn't about fame per se so much as accomplishment in the face of all odds. The Utah connection is paramount, albeit in Neal Cassady's case tenuous. But he was born here. And in some important if not always apparent way, their accomplishments in their respective fields must include a maverick-ness of some kind, a going against the grain, an iconoclastic nature - uconoclasm., Uconoclasts Suite I: Literary Utah, 2010, 0, [Salt Lake City, UT]: Uconoclasts Suite I: Literary Utah, 2010. Print. This print (16" by 12") is signed by the artist. Utah's literary iconoclastic past as depicted by visual portraits of twelve Utah mavericks who all, in one way or another, have gone against the grain. Uconoclasts Suite I: Literary Utah includes some of Utah's most famous and beloved and controversial literary figures (Edward Abbey, Bernard Devoto, Wallace Stegner and Wallace Thurman, for example) and even includes the beat generation icon Neal Cassady (who was born in Utah). Whether native sons and daughters or not, all Uconoclasts also share some sort of Utah connection. If they weren't born in the state, like Cassady, then the state and its geography: its people and its places, had a profound effect on them, as in the case of Abbey and Stegner. All twelve of these initial Uconoclasts have all been chosen because of their creative genius and their dedication to their dreams and pursuits, sometimes against all odds and at great personal cost. These Uconoclasts have pursued their dreams and visions, sometimes down dark and uncomfortable corridors than transcend traditional boundaries. There was no box for them to think outside of. Mavericks in some manner or another...all. Being a Uconoclast isn't about fame per se so much as accomplishment in the face of all odds. The Utah connection is paramount, albeit in Neal Cassady's case tenuous. But he was born here. And in some important if not always apparent way, their accomplishments in their respective fields must include a maverick-ness of some kind, a going against the grain, an iconoclastic nature - uconoclasm., Uconoclasts Suite I: Literary Utah, 2010, 0, [Salt Lake City, UT]: Uconoclasts Suite I: Literary Utah, 2010. Print. This print (16" by 12") is signed by the artist. Utah's literary iconoclastic past as depicted by visual portraits of twelve Utah mavericks who all, in one way or another, have gone against the grain. Uconoclasts Suite I: Literary Utah includes some of Utah's most famous and beloved and controversial literary figures (Edward Abbey, Bernard Devoto, Wallace Stegner and Wallace Thurman, for example) and even includes the beat generation icon Neal Cassady (who was born in Utah). Whether native sons and daughters or not, all Uconoclasts also share some sort of Utah connection. If they weren't born in the state, like Cassady, then the state and its geography: its people and its places, had a profound effect on them, as in the case of Abbey and Stegner. All twelve of these initial Uconoclasts have all been chosen because of their creative genius and their dedication to their dreams and pursuits, sometimes against all odds and at great personal cost. These Uconoclasts have pursued their dreams and visions, sometimes down dark and uncomfortable corridors than transcend traditional boundaries. There was no box for them to think outside of. Mavericks in some manner or another...all. Being a Uconoclast isn't about fame per se so much as accomplishment in the face of all odds. The Utah connection is paramount, albeit in Neal Cassady's case tenuous. But he was born here. And in some important if not always apparent way, their accomplishments in their respective fields must include a maverick-ness of some kind, a going against the grain, an iconoclastic nature - uconoclasm., Uconoclasts Suite I: Literary Utah, 2010, 0, [Salt Lake City, UT]: Uconoclasts Suite I: Literary Utah, 2010. Print. This print (16" by 12") is signed by the artist. Utah's literary iconoclastic past as depicted by visual portraits of twelve Utah mavericks who all, in one way or another, have gone against the grain. Uconoclasts Suite I: Liteary Utah includes some of Utah's most famous and beloved and controversial literary figures (Edward Abbey, Bernard Devoto, Wallace Stegner and Wallace Thurman, for example) and even includes the beat generation icon Neal Cassady (who was born in Utah). Whether native sons and daughters or not, all Uconoclasts also share some sort of Utah connection. If they weren't born in the state, like Cassady, then the state and its geography: its people and its places, had a profound effect on them, as in the case of Abbey and Stegner. All twelve of these initial Uconoclasts have all been chosen because of their creative genius and their dedication to their dreams and pursuits, sometimes against all odds and at great personal cost. These Uconoclasts have pursued their dreams and visions, sometimes down dark and uncomfortable corridors than transcend traditional boundaries. There was no box for them to think outside of. Mavericks in some manner or another...all. Being a Uconoclast isn't about fame per se so much as accomplishment in the face of all odds. The Utah connection is paramount, albeit in Neal Cassady's case tenuous. But he was born here. And in some important if not always apparent way, their accomplishments in their respective fields must include a maverick-ness of some kind, a going against the grain, an iconoclastic nature - uconoclasm., Uconoclasts Suite I: Literary Utah, 2010, 0, [Salt Lake City, UT]: Uconoclasts Suite I: Literary Utah, 2010. Print. This print (16" by 12") is signed by the artist. Utah's literary iconoclastic past as depicted by visual portraits of twelve Utah mavericks who all, in one way or another, have gone against the grain. Uconoclasts Suite I: Literary Utah includes some of Utah's most famous and beloved and controversial literary figures (Edward Abbey, Bernard Devoto, Wallace Stegner and Wallace Thurman, for example) and even includes the beat generation icon Neal Cassady (who was born in Utah). Whether native sons and daughters or not, all Uconoclasts also share some sort of Utah connection. If they weren't born in the state, like Cassady, then the state and its geography: its people and its places, had a profound effect on them, as in the case of Abbey and Stegner. All twelve of these initial Uconoclasts have all been chosen because of their creative genius and their dedication to their dreams and pursuits, sometimes against all odds and at great personal cost. These Uconoclasts have pursued their dreams and visions, sometimes down dark and uncomfortable corridors than transcend traditional boundaries. There was no box for them to think outside of. Mavericks in some manner or another...all. Being a Uconoclast isn't about fame per se so much as accomplishment in the face of all odds. The Utah connection is paramount, albeit in Neal Cassady's case tenuous. But he was born here. And in some important if not always apparent way, their accomplishments in their respective fields must include a maverick-ness of some kind, a going against the grain, an iconoclastic nature - uconoclasm., Uconoclasts Suite I: Literary Utah, 2010, 0, [Salt Lake City, UT]: Uconoclasts Suite I: Literary Utah, 2010. Print. This print (16" by 12") is signed by the artist. Utah's literary iconoclastic past as depicted by visual portraits of twelve Utah mavericks who all, in one way or another, have gone against the grain. Uconoclasts Suite I: Literary Utah includes some of Utah's most famous and beloved and controversial literary figures (Edward Abbey, Bernard Devoto, Wallace Stegner and Wallace Thurman, for example) and even includes the beat generation icon Neal Cassady (who was born in Utah). Whether native sons and daughters or not, all Uconoclasts also share some sort of Utah connection. If they weren't born in the state, like Cassady, then the state and its geography: its people and its places, had a profound effect on them, as in the case of Abbey and Stegner. All twelve of these initial Uconoclasts have all been chosen because of their creative genius and their dedication to their dreams and pursuits, sometimes against all odds and at great personal cost. These Uconoclasts have pursued their dreams and visions, sometimes down dark and uncomfortable corridors than transcend traditional boundaries. There was no box for them to think outside of. Mavericks in some manner or another...all. Being a Uconoclast isn't about fame per se so much as accomplishment in the face of all odds. The Utah connection is paramount, albeit in Neal Cassady's case tenuous. But he was born here. And in some important if not always apparent way, their accomplishments in their respective fields must include a maverick-ness of some kind, a going against the grain, an iconoclastic nature - uconoclasm., Uconoclasts Suite I: Literary Utah, 2010, 0, [Salt Lake City, UT]: Uconoclasts Suite I: Literary Utah, 2010. Print. This print (16" by 12") is signed by the artist. Utah's literary iconoclastic past as depicted by visual portraits of twelve Utah mavericks who all, in one way or another, have gone against the grain. Uconoclasts Suite I: Literary Utah includes some of Utah's most famous and beloved and controversial literary figures (Edward Abbey, Bernard Devoto, Wallace Stegner and Wallace Thurman, for example) and even includes the beat generation icon Neal Cassady (who was born in Utah). Whether native sons and daughters or not, all Uconoclasts also share some sort of Utah connection. If they weren't born in the state, like Cassady, then the state and its geography: its people and its places, had a profound effect on them, as in the case of Abbey and Stegner. All twelve of these initial Uconoclasts have all been chosen because of their creative genius and their dedication to their dreams and pursuits, sometimes against all odds and at great personal cost. These Uconoclasts have pursued their dreams and visions, sometimes down dark and uncomfortable corridors than transcend traditional boundaries. There was no box for them to think outside of. Mavericks in some manner or another...all. Being a Uconoclast isn't about fame per se so much as accomplishment in the face of all odds. The Utah connection is paramount, albeit in Neal Cassady's case tenuous. But he was born here. And in some important if not always apparent way, their accomplishments in their respective fields must include a maverick-ness of some kind, a going against the grain, an iconoclastic nature - uconoclasm., Uconoclasts Suite I: Literary Utah, 2010, 0, Stonehill, 1975. Hey, wasn't Ed a Yippie?. First Edition. Hard Cover. Very Good+/Near Fine/vg/vg+., Stonehill, 1975, 3.5, Plainfield, VT: North Atlantic. First Edition, 1976. VG. Two small stains on front cover, otherwise nice copy., North Atlantic. First Edition, 1976, 0, Paperback / softback. New., 6, Wolf Verlag, 2007. Hardcover. New. German language., Wolf Verlag, 2007, 6<
