2004, ISBN: 9780870702426

Paperback, 293 pages, English, 280 x 245 mm, New , with dustjacket, illustrations in colour and b/w, . ISBN 9780870702426. Max Beckmann was among the greatest painters of the 20th century… Mehr…

Paperback, 293 pages, English, 280 x 245 mm, New , with dustjacket, illustrations in colour and b/w, . ISBN 9780870702426. Max Beckmann was among the greatest painters of the 20th century, yet no retrospective of his work has been mounted in the art captials of New York, London, and Paris in over 30 years. Perhaps the lapse of attention has to do with the importance of abstraction in 20th-century art, and Beckmann's work is always figurative, simultaneously muscular and enigmatic and has enormous and unsettling power. Beckmann began his career as a naturalist and Symbolist in the period before World War I. After the war he developed a unique pictorial style that mixed expressionist color and gesture, mythological and mystical allegory, and the harsh new objectivity of his portrayal of modern life throughout the Nazi reign of terror. A prolific artist in painting, drawing, and printmaking--as well as a powerful sculptor--Beckmann created mysterious images and dense tableaux of unparalleled intensity and complexity during an odyssey that took him from his native Germany to Paris, Amsterdam, St. Louis, and New York. A new examination of Beckmann's role and reputation during the first half of the 20th century has been eagerly awaited. Making use of new scholarship and previously unavailable research materials, this book sheds light on Beckmann's work and his influence on and interactions with the artists of his day. Essays include discussions of Beckmann's Frankfurt cityscapes, his pictures from Italy, his triptychs, his group portraits, and his relationship with cultural politics in the 1920s and 1930s; texts and interviews by artists Leon Golub and Ellsworth Kelly; curator Robert Storr on The Beckmann Effect; and artist William Kentridge on Beckmann's Death. This sumptous volume is published on the occasionof the retrospective exhibition mounted jointly by the Tate Modern, Centre Georges Pompidou, and The Museum of Modern Art, New York. It is the first comprehensive exhibition of Beckmann's work to be seen in the United States since 1984, and the first in New York since 1964., BE, gewerbliches Angebot, 1625, [PU: Museum Of Modern Art 2004, 2004], Banküberweisung, Offene Rechnung, PayPal, Skrill/Moneybookers, De internationale scheepvaart<

2004, ISBN: 9780870702426

[SC: 6.74], [PU: Museum Of Modern Art 2004 2004], ARTISTE PEINTRE SCHILDEREN KUNST, Jacket, Paperback, 293 pages, English, 280 x 245 mm, New , with dustjacket, illustrations in colour and… Mehr…

[SC: 6.74], [PU: Museum Of Modern Art 2004 2004], ARTISTE PEINTRE SCHILDEREN KUNST, Jacket, Paperback, 293 pages, English, 280 x 245 mm, New , with dustjacket, illustrations in colour and b/w, . ISBN 9780870702426. Max Beckmann was among the greatest painters of the 20th century, yet no retrospective of his work has been mounted in the art captials of New York, London, and Paris in over 30 years. Perhaps the lapse of attention has to do with the importance of abstraction in 20th-century art, and Beckmann's work is always figurative, simultaneously muscular and enigmatic and has enormous and unsettling power. Beckmann began his career as a naturalist and Symbolist in the period before World War I. After the war he developed a unique pictorial style that mixed expressionist color and gesture, mythological and mystical allegory, and the harsh new objectivity of his portrayal of modern life throughout the Nazi reign of terror. A prolific artist in painting, drawing, and printmaking--as well as a powerful sculptor--Beckmann created mysterious images and dense tableaux of unparalleled intensity and complexity during an odyssey that took him from his native Germany to Paris, Amsterdam, St. Louis, and New York. A new examination of Beckmann's role and reputation during the first half of the 20th century has been eagerly awaited. Making use of new scholarship and previously unavailable research materials, this book sheds light on Beckmann's work and his influence on and interactions with the artists of his day. Essays include discussions of Beckmann's Frankfurt cityscapes, his pictures from Italy, his triptychs, his group portraits, and his relationship with cultural politics in the 1920s and 1930s; texts and interviews by artists Leon Golub and Ellsworth Kelly; curator Robert Storr on The Beckmann Effect; and artist William Kentridge on Beckmann's Death. This sumptous volume is published on the occasionof the retrospective exhibition mounted jointly by the Tate Modern, Centre Georges Pompidou, and The Museum of Modern Art, New York. It is the first comprehensive exhibition of Beckmann's work to be seen in the United States since 1984, and the first in New York since 1964. 1625 g.<

2004, ISBN: 9780870702426

Museum Of Modern Art 2004 2004. Paperback, 293 pages, English, 280 x 245 mm, New , with dustjacket, illustrations in colour and b/w, . ISBN 9780870702426. Max Beckmann was among the grea… Mehr…

Museum Of Modern Art 2004 2004. Paperback, 293 pages, English, 280 x 245 mm, New , with dustjacket, illustrations in colour and b/w, . ISBN 9780870702426. Max Beckmann was among the greatest painters of the 20th century, yet no retrospective of his work has been mounted in the art captials of New York, London, and Paris in over 30 years. Perhaps the lapse of attention has to do with the importance of abstraction in 20th-century art, and Beckmann's work is always figurative, simultaneously muscular and enigmatic and has enormous and unsettling power. Beckmann began his career as a naturalist and Symbolist in the period before World War I. After the war he developed a unique pictorial style that mixed expressionist color and gesture, mythological and mystical allegory, and the harsh new objectivity of his portrayal of modern life throughout the Nazi reign of terror. A prolific artist in painting, drawing, and printmaking--as well as a powerful sculptor--Beckmann created mysterious images and dense tableaux of unparalleled intensity and complexity during an odyssey that took him from his native Germany to Paris, Amsterdam, St. Louis, and New York. A new examination of Beckmann's role and reputation during the first half of the 20th century has been eagerly awaited. Making use of new scholarship and previously unavailable research materials, this book sheds light on Beckmann's work and his influence on and interactions with the artists of his day. Essays include discussions of Beckmann's Frankfurt cityscapes, his pictures from Italy, his triptychs, his group portraits, and his relationship with cultural politics in the 1920s and 1930s; texts and interviews by artists Leon Golub and Ellsworth Kelly; curator Robert Storr on The Beckmann Effect; and artist William Kentridge on Beckmann's Death. This sumptous volume is published on the occasionof the retrospective exhibition mounted jointly by the Tate Modern, Centre Georges Pompidou, and The Museum of Modern Art, New York. It is the first comprehensive exhibition of Beckmann's work to be seen in the United States since 1984, and the first in New York since 1964., Museum Of Modern Art 2004 2004, 0<

2003, ISBN: 9780870702426

New York: The Museum of Modern Art, 2003. First edition. Softcover. 292 pages. Exhibtion catalog for a traveling show. Essays by Robert Storr, Sean Rainbird, Nina Peter, Anette Kruszynsk… Mehr…

New York: The Museum of Modern Art, 2003. First edition. Softcover. 292 pages. Exhibtion catalog for a traveling show. Essays by Robert Storr, Sean Rainbird, Nina Peter, Anette Kruszynski, Didier Ottinger, Barbara Copeland Buenger, William Kentridge, Ellsworth Kelly, Leon Golub, and Charles W. Haxthausen Includes 174 color illustration and 40 black and white illustrations. A fine copy in French style wrappers., The Museum of Modern Art, 2003, 0<