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Farewell to Shulamit | Spatial and Social Diversity in the Song of Songs | Carsten Wilke | Buch | ISSN | HC runder Rücken kaschiert | VIII | Englisch | 2017 | De Gruyter | EAN 9783110500547 - Wilke, Carsten
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Farewell to Shulamit | Spatial and Social Diversity in the Song of Songs | Carsten Wilke | Buch | ISSN | HC runder Rücken kaschiert | VIII | Englisch | 2017 | De Gruyter | EAN 9783110500547 - gebunden oder broschiert

2017, ISBN: 9783110500547

[ED: Gebunden], [PU: De Gruyter], The Song of Songs, a lyric cycle of love scenes without a narrative plot, has often been considered as the Bible¿s most beautiful and enigmatic book. The… Mehr…

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Farewell to Shulamit / Spatial and Social Diversity in the Song of Songs / Carsten Wilke / Buch / ISSN / HC runder Rücken kaschiert / VIII / Englisch / 2017 / De Gruyter / EAN 9783110500547 - Wilke, Carsten
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Wilke, Carsten:

Farewell to Shulamit / Spatial and Social Diversity in the Song of Songs / Carsten Wilke / Buch / ISSN / HC runder Rücken kaschiert / VIII / Englisch / 2017 / De Gruyter / EAN 9783110500547 - gebunden oder broschiert

2017, ISBN: 9783110500547

[ED: Gebunden], [PU: De Gruyter], The Song of Songs, a lyric cycle of love scenes without a narrative plot, has often been considered as the Bible¿s most beautiful and enigmatic book. The… Mehr…

Versandkosten:Versandkostenfrei, Versand nach Deutschland. (EUR 0.00) Buchbär
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Farewell to Shulamit / Spatial and Social Diversity in the Song of Songs / Carsten Wilke / Buch / ISSN / HC runder Rücken kaschiert / VIII / Englisch / 2017 / De Gruyter / EAN 9783110500547 - Wilke, Carsten
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Wilke, Carsten:
Farewell to Shulamit / Spatial and Social Diversity in the Song of Songs / Carsten Wilke / Buch / ISSN / HC runder Rücken kaschiert / VIII / Englisch / 2017 / De Gruyter / EAN 9783110500547 - gebunden oder broschiert

2017

ISBN: 9783110500547

[ED: Gebunden], [PU: De Gruyter], The Song of Songs, a lyric cycle of love scenes without a narrative plot, has often been considered as the Bible¿s most beautiful and enigmatic book. The… Mehr…

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Farewell to Shulamit: Spatial and Social Diversity in the Song of Songs (Jewish Thought, Philosophy and Religion, 2) - Wilke, Carsten
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2017, ISBN: 9783110500547

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De Gruyter, Gebundene Ausgabe, Auflage: 1, 178 Seiten, Publiziert: 2017-04-10T00:00:01Z, Produktgruppe: Buch, Hersteller-Nr.: 26345162, 0.44 kg, Verkaufsrang: 5303655, Linguistik, Sozialw… Mehr…

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Bibliographische Daten des bestpassenden Buches

Details zum Buch
Farewell to Shulamit: Spatial and Social Diversity in the Song of Songs (Jewish Thought, Philosophy and Religion, 2)

While most readings of the biblical Song of Songs merge this enigmatic cycle of love poems into a single couple`s dialogue, this new interpretation reveals an artful fresco of ancient society alternating between courtly, urban, rural, and pastoral spaces with their distinct inhabitants. Contextualized in the religious and cultural horizons of a Hellenistic borderland, the Song places a skeptical emphasis on human diversity and communicative Eros.

Detailangaben zum Buch - Farewell to Shulamit: Spatial and Social Diversity in the Song of Songs (Jewish Thought, Philosophy and Religion, 2)


EAN (ISBN-13): 9783110500547
ISBN (ISBN-10): 311050054X
Gebundene Ausgabe
Erscheinungsjahr: 10
Herausgeber: De Gruyter

Buch in der Datenbank seit 2017-04-06T22:09:39+02:00 (Vienna)
Detailseite zuletzt geändert am 2024-02-01T10:56:57+01:00 (Vienna)
ISBN/EAN: 311050054X

ISBN - alternative Schreibweisen:
3-11-050054-X, 978-3-11-050054-7
Alternative Schreibweisen und verwandte Suchbegriffe:
Autor des Buches: walter wilkes, shulamit, carsten wilke
Titel des Buches: religion philosophy, songs farewell, wilke, farewell shulamit


Daten vom Verlag:

Autor/in: Carsten Wilke
Titel: Jewish Thought, Philosophy and Religion; Farewell to Shulamit - Spatial and Social Diversity in the Song of Songs
Verlag: De Gruyter
170 Seiten
Erscheinungsjahr: 2017-04-10
Berlin/Boston
Gedruckt / Hergestellt in Deutschland.
Gewicht: 0,442 kg
Sprache: Englisch
99,95 € (DE)
99,95 € (AT)
POD

BB; Hardcover, Softcover / Religion, Theologie/Christentum; Altes Testament; Verstehen; REL040030 RELIGION / Judaism / History; Biblical studies & exegesis; Judaism; Hohelied; hellenistisches Judentum; Dionysos; Amman; Song of Songs; Hellenistic Judaism; Dionysus; Amman; EA; EA

The Song of Songs, a lyric cycle of love scenes without a narrative plot, has often been considered as the Bible’s most beautiful and enigmatic book. The present study questions the still dominant exegetical convention that merges all of the Song’s voices into the dialogue of a single couple, its composite heroine Shulamit being a projection screen for norms of womanhood. An alternative socio-spatial reading, starting with the Hebrew text’s strophic patterns and its references to historical realia, explores the poem’s artful alternation between courtly, urban, rural, and pastoral scenes with their distinct characters. The literary construction of social difference juxtaposes class-specific patterns of consumption, mobility, emotion, power structures, and gender relations. This new image of the cycle as a detailed poetic frieze of ancient society eventually leads to a precise hypothesis concerning its literary and religious context in the Hellenistic age, as well as its geographical origins in the multiethnic borderland east of the Jordan. In a Jewish echo of anthropological skepticism, the poem emphasizes the plurality and relativity of the human condition while praising the communicative powers of pleasure, fantasy, and multifarious Eros.

The Song of Songs, a lyric cycle of love scenes without a narrative plot, has often been considered as the Bible’s most beautiful and enigmatic book. The present study questions the still dominant exegetical convention that merges all of the Song’s voices into the dialogue of a single couple, its composite heroine Shulamit being a projection screen for norms of womanhood. An alternative socio-spatial reading, starting with the Hebrew text’s strophic patterns and its references to historical realia, explores the poem’s artful alternation between courtly, urban, rural, and pastoral scenes with their distinct characters. The literary construction of social difference juxtaposes class-specific patterns of consumption, mobility, emotion, power structures, and gender relations. This new image of the cycle as a detailed poetic frieze of ancient society eventually leads to a precise hypothesis concerning its literary and religious context in the Hellenistic age, as well as its geographical origins in the multiethnic borderland east of the Jordan. In a Jewish echo of anthropological skepticism, the poem emphasizes the plurality and relativity of the human condition while praising the communicative powers of pleasure, fantasy, and multifarious Eros.

, Central European University, Budapest, Ungarn.

Carsten L. Wilke

, Central European University, Budapest, Hungary.

Carsten L. Wilke



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