2019, ISBN: 3030108767

[EAN: 9783030108762], Neubuch, [PU: Springer International Publishing Apr 2019], FERNSEHEN - PRIVATFERNSEHEN; TV; FARBFOTOGRAFIE; FOTOGRAFIE; PHOTO; PHOTOGRAPHIE; GESCHICHTSSCHREIBUNG; HI… Mehr…

[EAN: 9783030108762], Neubuch, [PU: Springer International Publishing Apr 2019], FERNSEHEN - PRIVATFERNSEHEN; TV; FARBFOTOGRAFIE; FOTOGRAFIE; PHOTO; PHOTOGRAPHIE; GESCHICHTSSCHREIBUNG; HISTORIOGRAPHIE; MILITÄRGESCHICHTE; RADIO; RADIOTECHNIK; HÖRFUNK; RADIO / RUNDFUNK; RUNDFUNK PRIVATER VIERZIGER JAHRE; WELTKRIEG ZWEITER WELTKRIEG; 1939/45; 1939/45 GESAMTDARSTELLUNGEN; ANIMATION; MUSEUMINSTALLATIONS; REPRESENTATION; THEBODY; VICTIM; SPECTATOR; AUDIENCE; BERGENBELSEN; CINEMA; FILM-PHILOSOPHY; AUSCHWITZ, This item is printed on demand - it takes 3-4 days longer - Neuware -This book explores the growing trend of intermediality in cinematic representations of the Holocaust. It turns to the in-betweens that characterise the cinematic experience to discover how the different elements involved in film and its viewing collaborate to produce Holocaust memory. Cinematic Intermedialities is a work of film-philosophy that places a number of different forms of screen media, such as films that reassemble archive footage, animations, apps and museum installations, in dialogue with the writing of Deleuze and Guattari, art critic-cum-philosopher Georges Didi-Huberman and film phenomenologies. The result is a careful and unique examination of how Holocaust memory can emerge from the relationship between different media, objects and bodies during the film experience. This work challenges the existing concentration on representation in writing about Holocaust films, turning instead to the materials of screen works and the spectatorial experience to highlight the powerful contribution of the cinematic to Holocaust memory. 228 pp. Englisch, Books<

2019, ISBN: 3030108767

[EAN: 9783030108762], Neubuch, [SC: 0.0], [PU: Springer International Publishing], FERNSEHEN - PRIVATFERNSEHEN; TV; FARBFOTOGRAFIE; FOTOGRAFIE; PHOTO; PHOTOGRAPHIE; GESCHICHTSSCHREIBUNG; … Mehr…

[EAN: 9783030108762], Neubuch, [SC: 0.0], [PU: Springer International Publishing], FERNSEHEN - PRIVATFERNSEHEN; TV; FARBFOTOGRAFIE; FOTOGRAFIE; PHOTO; PHOTOGRAPHIE; GESCHICHTSSCHREIBUNG; HISTORIOGRAPHIE; MILITÄRGESCHICHTE; RADIO; RADIOTECHNIK; HÖRFUNK; RADIO / RUNDFUNK; RUNDFUNK PRIVATER VIERZIGER JAHRE; WELTKRIEG ZWEITER WELTKRIEG; 1939/45; 1939/45 GESAMTDARSTELLUNGEN; ANIMATION; MUSEUMINSTALLATIONS; REPRESENTATION; THEBODY; VICTIM; SPECTATOR; AUDIENCE; BERGENBELSEN; CINEMA; FILM-PHILOSOPHY; AUSCHWITZ, Druck auf Anfrage Neuware - Printed after ordering - This book explores the growing trend of intermediality in cinematic representations of the Holocaust. It turns to the in-betweens that characterise the cinematic experience to discover how the different elements involved in film and its viewing collaborate to produce Holocaust memory. Cinematic Intermedialities is a work of film-philosophy that places a number of different forms of screen media, such as films that reassemble archive footage, animations, apps and museum installations, in dialogue with the writing of Deleuze and Guattari, art critic-cum-philosopher Georges Didi-Huberman and film phenomenologies. The result is a careful and unique examination of how Holocaust memory can emerge from the relationship between different media, objects and bodies during the film experience. This work challenges the existing concentration on representation in writing about Holocaust films, turning instead to the materials of screen works and the spectatorial experience to highlight the powerful contribution of the cinematic to Holocaust memory. 228 pp. Englisch, Photographs<

2019, ISBN: 9783030108762

[ED: Hardcover], [PU: Palgrave Macmillan / Springer International Publishing / Springer, Berlin], This book explores the growing trend of intermediality in cinematic representations of th… Mehr…

[ED: Hardcover], [PU: Palgrave Macmillan / Springer International Publishing / Springer, Berlin], This book explores the growing trend of intermediality in cinematic representations of the Holocaust. It turns to the in-betweens that characterise the cinematic experience to discover how the different elements involved in film and its viewing collaborate to produce Holocaust memory. Cinematic Intermedialities is a work of film-philosophy that places a number of different forms of screen media, such as films that reassemble archive footage, animations, apps and museum installations, in dialogue with the writing of Deleuze and Guattari, art critic-cum-philosopher Georges Didi-Huberman and film phenomenologies. The result is a careful and unique examination of how Holocaust memory can emerge from the relationship between different media, objects and bodies during the film experience. This work challenges the existing concentration on representation in writing about Holocaust films, turning instead to the materials of screen works and the spectatorial experience to highlight the powerful contribution of the cinematic to Holocaust memory. 1st ed. 2019. 2019. ix, 217 S. IX, 217 p. 96 illus., 95 illus. in color. 210 mm Versandfertig in 6-10 Tagen, DE, [SC: 0.00], Neuware, gewerbliches Angebot, Offene Rechnung (Vorkasse vorbehalten)<

2019, ISBN: 3030108767

This book explores the growing trend of intermediality in cinematic representations of the Holocaust. It turns to the in-betweens that characterise the cinematic experience to discover ho… Mehr…

This book explores the growing trend of intermediality in cinematic representations of the Holocaust. It turns to the in-betweens that characterise the cinematic experience to discover how the different elements involved in film and its viewing collaborate to produce Holocaust memory. Cinematic Intermedialities is a work of film-philosophy that places a number of different forms of screen media, such as films that reassemble archive footage, animations, apps and museum installations, in dialogue with the writing of Deleuze and Guattari, art critic-cum-philosopher Georges Didi-Huberman and film phenomenologies. The result is a careful and unique examination of how Holocaust memory can emerge from the relationship between different media, objects and bodies during the film experience. This work challenges the existing concentration on representation in writing about Holocaust films, turning instead to the materials of screen works and the spectatorial experience to highlight the powerful contribution of the cinematic to Holocaust memory. Media Buch, 217 Seiten, Media > Books, Palgrave Macmillan, 2019<

ISBN: 9783030108762

This book explores the growing trend of intermediality in cinematic representations of the Holocaust. It turns to the in-betweens that characterise the cinematic experience to discover ho… Mehr…

This book explores the growing trend of intermediality in cinematic representations of the Holocaust. It turns to the in-betweens that characterise the cinematic experience to discover how the different elements involved in film and its viewing collaborate to produce Holocaust memory. Cinematic Intermedialities is a work of film-philosophy that places a number of different forms of screen media, such as films that reassemble archive footage, animations, apps and museum installations, in dialogue with the writing of Deleuze and Guattari, art critic-cum-philosopher Georges Didi-Huberman and film phenomenologies. The result is a careful and unique examination of how Holocaust memory can emerge from the relationship between different media, objects and bodies during the film experience. This work challenges the existing concentration on representation in writing about Holocaust films, turning instead to the materials of screen works and the spectatorial experience to highlight the powerful contribution of the cinematic to Holocaust memory., Palgrave Macmillan<